"Post-club tropical indie soul” is perhaps genre Emmecosta are going for. And why shouldn’t they… After all it’s 21st century where the sonic world is their creative oyster. Start with London Bass artists Belgrave and NOVAA, then combine the production of Mount Kimbie and Gold Panda and you’ll see what platform we’re on here. There are elements of James Blake’s usage of sonic space in a relaxed manner, and topped with Josef Salvat’s more acoustic details of the Hustler-esque pulsating backbone of the production. It’s really, really good…