Older Future is back, and he’s not holding back either. Following the provocative drop of 'Fuckrockers' earlier this summer, the electronic disruptor returns with 'The Confession', a brooding, breakbeat-driven exploration of paranoia, honesty, and the fragile line between reality and distortion.
The brainchild of engineer and synth designer Alon Yaish, Older Future has carved out a reputation for twisting rave culture, piano training, and raw storytelling into expansive electronic soundscapes. 'The Confession' encapsulates that vision: layered with allusive synths, pulsating sequencers, and a spoken-word topline that channels everyday anxieties into something hypnotic and unflinchingly human.
So with the new single out now, we sat down with Alon to talk about his background and what has been inspiring his sound most.
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What was the first instrument you fell in love with?
The piano. versatile enough to cover melody, harmony, and rhythm all in one place. It gave me a solid foundation to build from.
What kind of music did you love when you were younger?
When I was younger, I was into grunge and metal. bands like Nirvana, Pearl Jam, Metallica, and Megadeth were some of my favorites. Later on, as a teenager, I started getting into electronic music. I listened to artists like The Prodigy and Aphex Twin and really enjoyed the shift in sound.
What was the first album you remember owning?
Nevermind by Nirvana
What is the one song you wished you could have written yourself?
Draft culture by Dorian concept.
Do you have any habits or rituals you go through when trying to write new music?
I usually listen to my ideas repeatedly in different environments, it helps me hear things from fresh perspectives. I also send tracks to a few friends to get their feedback. Beyond that, I try to relax and clear my mind, just to shake off any mental clutter. Most of my creative flow tends to kick in during evening studio sessions, that’s when things really start to come together
Who are your favourite artists you have found yourself listening to at the moment?
Lately, I've been drawn to a mix of styles. I've been listening to Ariel Pink, Baths, Sufjan Stevens, and even some Pavarotti.
If you could open a show for anyone in the world, who would it be?
I’d be proud to open for Ariel Pink. Our styles couldn’t be more different on the surface, but I feel like there’s a shared vibe somewhere underneath it all. I really admire his approach to music. Sharing a stage with him would be surreal in the best way.
What do you find is the most rewarding part about being a musician?
For me, the most rewarding part is being able to listen to something I’ve created and genuinely enjoy it. When I make a track that I connect with, it feels personal like it becomes a part of me. That kind of connection is something I don’t quite get from listening to other music, and it’s what makes the process so fulfilling.
And what is the most frustrating part?
Probably releasing the music and then riding the emotional roller coaster of waiting to see if it connects with people or gains any momentum. That period of uncertainty, after putting so much into the track, can be tough to sit through.
And what is the best piece of advice you have received as a musician?
Honestly, I don’t think I’ve ever gotten truly helpful advice about music. People love to offer their opinions on what you should be doing, usually with a lot of confidence and not much context. It’s kind of like taking cooking tips from someone who’s never used your ingredients. In the end, you’ve got to figure it out for yourself.
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Older Future's new single 'The Confession' is available to stream now. Check it out in the player below.