7/10
Over these last few years, independent artists have increasingly blurred the lines between genres, cultures, and influences. Yet few manage to make that fusion feel as natural and instinctive as 4fro Nick. Born in Greece and now carving out his own space in Los Angeles, he arrives with a compelling two-track release that feels like a celebration of movement, freedom, and self-determination.
At the centre of this release sits 'Don’t Waste My Time (LA Mix)', a track that immediately announces itself with swagger and purpose. Wrapped in warm guitar tones and carried by a commanding vocal performance, there is a confidence running through every second of it, but crucially, it never tips into arrogance. It channels the spirit of someone who has travelled far, endured setbacks, and emerged with a clearer understanding of their own worth.
But what makes the track particularly engaging is its balance between accessibility and emotional depth. The groove is infectious, the melodies memorable, yet beneath the surface lies a message about recognising personal value and refusing to become trapped by expectations or limitations. It carries the same uplifting energy that artists like Jake Bugg or Miles Kane often bring to their most anthemic moments, where personal reflection becomes something universally relatable.
Meanwhile, 'Get There Before Noon (LA2 Mix) 'offers a fascinating counterpart. Where the A-side feels determined and assertive, the flip side embraces spontaneity and adventure. There is a restless energy woven throughout the arrangement, creating the sensation of constantly moving forward before opportunities slip away.
The added contributions from Leo Genovese, Johnny Radelat, and George Athanas elevate the material without ever overshadowing the songs themselves; where every performance serves the emotional core of the music.
Warm, passionate, and bursting with personality, this new release captures an artist fully embracing the joy of making music. It's bold without being reckless, reflective without becoming heavy-handed, and above all, it is incredibly alive.
