British songwriter Michael Waters has quickly built a reputation for crafting songs that pair memorable melodies with heartfelt storytelling. Following the uplifting spirit of 'La La Love Song', he returns with 'Requiem For Earth', a deeply reflective new single that turns his attention from matters of the heart to the future of the planet itself.
Written as a love letter to the Earth, the track approaches environmental themes with tenderness rather than confrontation, celebrating the beauty of the natural world while acknowledging its growing fragility. Built around understated acoustic instrumentation and an intimate vocal performance, the song demonstrates Waters' ability to tackle universal subjects with warmth, sincerity and emotional clarity.
So with the new single out now, we sat down with him to find out more about his origins and what has been inspiring him most over the years.
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What was the first instrument you fell in love with?
The cornet. I started to learn it at the age of five. But, in truth, the piano has always been my go-to for amusing myself, performing and composing.
What kind of music did you love when you were younger?
I particularly liked Soul and Motown but also the music of earlier eras. Friends and university peers were bemused by my love of Sinatra, Tony Bennett and other crooners.
What was the first album you remember owning?
One by Dionne Warwick; I can’t recall the title, but most of the songs were Burt Bacharach ones.
What is the one song you wished you could have written yourself?
Virtually any song by Bacharach, but I’ll go for something quite different: Chasing Cars by Snow Patrol.
Do you have any habits or rituals you go through when trying to write new music?
No I don’t and, interestingly, I never “try” to write music. Songs just “come” to me - lyrics and words - virtually at once and both at the same time. I’ve usually composed a song in ten minutes, with very little tweaking later.
Who are your favourite artists you have found yourself listening to at the moment?
It’s almost corny, but I’m a fan of Ed Sheeran. In truth, I’m less attracted to particular artists than those who have strong, distinctive vocals and sing great, melodic ballads. For this reason, I’ll never tire of listening to Shirley Bassey.
If you could open a show for anyone in the world, who would it be?
Great question. Because of the contrast effect, maybe the Rolling Stones. If not, Ed Sheeran or a strong female vocalist like Raye. I think it might be hard for the audience not to be in comparison mode. I think I’d like that.
What do you find is the most rewarding part about being a musician?
Putting out into the world a song I know is melodically unforgettable and produced close to perfection. This is way more important to me than fame.
And what is the most frustrating part?
Closing the gap between a recording that’s good and one that is more than just good - one that feels absolutely right. If this requires a bit of recording studio technology, then I’m more than happy with that.
And what is the best piece of advice you have received as a musician?
In compositional terms, don’t put your name to anything that you are not entirely happy with. In canny business terms, remember that your signature is the most important thing you own in the music business.
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Michael Waters' new single 'Requiem for Earth' is out now. Check it out in the player below.