Chicago-area singer-songwriter and multi-instrumentalist Stephen Kohler has spent more than three decades developing a distinctive musical identity, combining classic pop-rock songwriting with intricate arrangements and expressive musicianship. Drawing inspiration from artists including ABBA, Van Halen and Ben Folds, his music balances infectious melodies with guitar-driven energy and an adventurous approach to composition.
His latest single ‘Lifeguard’ offers an energetic introduction to his forthcoming third studio album, combining driving guitars, shifting tempos and anthemic choruses with a surprisingly introspective message. Beneath its upbeat exterior, the track explores the emotional challenges of caring for someone who may not be ready to help themselves, confronting the importance of establishing boundaries and recognising when to let go.
So with the new single out now, we sat down with him to find out more about his origins and what has been inspiring him most over the years.
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What was the first instrument you fell in love with?
While my first instrument was the trumpet which I played in middle school band and orchestra, the instrument that I truly fell in love with was the guitar. In the summer prior to my freshman year in high school, I saw Edward Van Halen perform live on MTV and it changed my entire life. I immediately said to myself, ‘THAT is what I want to do”.
What kind of music did you love when you were younger?
I’ve been a lover of different genres of music my entire life. I can remember in elementary school listening to classic late 70s and early 80s pop-rock artists, including ABBA, Elton John, Billy Joel and our course, the Beatles. Later, as I grew up, I would listen while my parents played classical and jazz music in the house, and later, my friends would introduce me to rock and heavy metal music. There’s really no genre I don’t love as I think they all bring something powerful to the listener. I’m often considered a bit of an oddball because I like everything from Beethoven to the Beatles to Black Sabbath.
What was the first album you remember owning?
I can distinctly remember buying Ozzy Osbourne’s live solo album, Tribute, in 1987. I was getting very into rock electric guitar, and the album was a watershed moment for me listening to the late-great Randy Rhoads. If you listen carefully, Ozzy’s music is really just catchy pop songs wrapped with rock n roll packaging.
What is the one song you wished you could have written yourself?
Anything by ABBA or the Beatles. The melodies, harmonies and production are just brilliant.
Do you have any habits or rituals you go through when trying to write new music?
I’ve found the most important aspect is to be in a place of flow and inspiration. If I “try” to write as if it’s a homework assignment, I often don’t get very far. Rather, if I allow myself to do something that enables creativity – it comes quite naturally. Interestingly, I’ve found exercise (running) or spending time with family and friends really help spark my muse. I also have learned to not force the musical process – it comes when it comes. I may start with verse..and just let it bounce around in my head for a bit, after which I will add a chorus or maybe a bridge. Sometimes a song will come together in bits and pieces over a few weeks and, occasionally, all in an hour or two.
Who are your favourite artists you have found yourself listening to at the moment?
Well, I’ve been accepted to a songwriting camp held by Ben Folds (one of my heroes), so I’ve been listening to a great deal of his work lately. He’s a master of melody, harmony and storytelling…all while being truly authentic and honest.
If you could open a show for anyone in the world, who would it be?
It would have to be Sir Paul McCartney, arguably one of the greatest living songwriters of our time.
What do you find is the most rewarding part about being a musician?
Finding a true connection with others – be it other musicians and/or audience members. Specifically, as a songwriter, I feel true impact when someone says how a song has touched them in some positive way. Ultimately, I want to pay forward the gift that music has given to me.
And what is the most frustrating part?
Interestingly, it's a paradox of what technology has given all of us. One the one hand, it enabled endless possibilities (creating, distributing, promoting and consuming music). On the other hand, these very technologies seem to disconnect us from one another even more.
And what is the best piece of advice you have received as a musician?
My top 2: Whatever you do, above all, be honest (Ben Folds). Write for yourself, not the audience (Rick Rubin).
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Stephen Kohler's new single 'Lifeguard' is out now. Check it out in the player below.