7/10

The self-titled debut album from Floating Sheep is a record defined by how carefully its elements are arranged. Rather than presenting its instrumentation as a point of difference on its own, the album focuses on how those sounds function together within a contemporary jazz context.

Rhythm plays a central role throughout as Yair Ben Shalom’s percussion provides a steady but flexible foundation, allowing each piece to shift in tone without losing coherence. The grooves are consistent without becoming rigid, giving the music space to develop while maintaining a clear sense of direction.

A key aspect of the album’s identity is Bar Hadash’s use of the handpan. Positioned as a lead voice rather than a background texture, it carries melodic lines with clarity and control. This approach moves the instrument away from its more ambient associations and places it within a more structured, jazz-oriented framework. It’s a subtle but important shift, and one that shapes the overall character of the record.

Maayan Sherman’s saxophone and flute contributions add contrast, moving between more lyrical passages and sharper, more direct phrasing. While Ofek Ram’s synthesisers extend the sonic range, introducing electronic elements that sit alongside the acoustic instrumentation without dominating it. The balance between these components is consistent, contributing to the album’s cohesive feel throughout.

As a debut collection, 'Floating Sheep' is notable for its clarity of intent. It establishes a framework built on interaction and control, allowing each piece to unfold at its own pace. The result is a record that feels measured and cohesive, with a clear foundation for further development.