7/10

There’s a particular kind of record that reflects the troubles of the world, unflinchingly, and invites you to sit in the discomfort of that reflection. 'No Surprise' by Volleys is exactly that kind of release, delivering something sharp, reflective, and charged with the quiet realisation that some truths just don’t shock anymore.

From the outset, the LP feels alive with motion. Guitars lead the charge, cutting through with clarity and intent, while the rhythm section keeps everything tightly coiled, ready to shift at a moment’s notice. What stands out most is the dynamic between the two creative forces behind the project. There’s a conversational quality to the music, as if ideas are being passed back and forth in real time, evolving with each return. And that energy gives the record its pulse.

Throughout 'No Surprise', there are flashes of rawness and moments where the edges feel deliberately exposed, but they’re offset by a strong melodic instinct that keeps everything grounded. Hooks land, then move on, leaving space for the next idea to take shape. It’s a disciplined approach that gives the record a sense of focus rarely found in guitar-led releases.

The inclusion of reinterpretations of 'Janie Jones' by The Clash and Silver Jews' 'Trains Across the Sea' adds another layer, connecting the project to a broader lineage while still maintaining its own voice. Meanwhile, the closing moments of 'Falling Asleep' carries a deeper emotional weight, shifting the tone toward something more personal and contemplative. It’s a quiet but powerful way to bring the journey full circle.

But what makes 'No Surprise' resonate so much is its sense of balance. Volleys understand the power of tension; how the space between moments can be just as impactful as the moments themselves, and in doing so, capture an unwavering commitment to bottling the feeling of living in a world that’s constantly in flux.